Our desire for oil is driven by our desire for progress at an ever increasing speed. This idea is so deeply embedded in our modern mind-set that it seems like a truth of human existence rather than a particular way of understanding the world. It colours the way we view our purpose in life.
Read MoreSubjectivity on Stage
Duncan Macmillan’s People, Places and Things is an unusual play because we see the events of the story subjectively, through the eyes of its main character, Emma. We experience the world as she experiences it. When Emma takes drugs, the lights glow brighter and voices slow down. People seem to become other people. Objects disappear and reappear unexpectedly. When her experience of events becomes fragmented, the action of the play becomes fragmented. We see her world from the inside, as opposed to seeing the reality of the events that she is experiencing from the outside.
Read MoreTheatre of the Unimpressed
I’m sitting in a café in downtown New York talking about theatre, when I get asked the question that I always get asked and the question that I most dread: ‘What have you seen that’s good recently?’ I pause and I think and yet again nothing immediately comes to mind. My brain is a complete vacuum.
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Why travel?
As a child, I used to go on holiday to communism. My father is of Polish descent – hence my ridiculous surname – but grew up somewhat detached from his Polish roots. My grandfather, who had been an officer in the Polish Free Forces, never returned to Poland after the war. My father wasn’t taught to speak Polish and we didn’t celebrate Polish holidays. In the late seventies, however, my half-Polish father met my properly Polish stepmother on a business trip to Warsaw. He was salesman for a global chemical company. She worked for Orbis, the state run tourist company who were hosting them. It was love at first sight. Within months, she was on a plane to the UK and they were married, despite my grandmother’s objections that my stepmother was freedom grasping whore who was only after a passport.
Read MoreHow We Made the 1984 Digital Double Mobile App
People often refer to the idea that we are living in 1984, but to what extent is that a valid observation about contemporary society? If Big Brother is always watching, how is he watching us now? And to what end? In recent months, revelations about the NSA's PRISM programme have complicated our love affair with digital technology. Our mobile phones have been transformed into the equivalent of Orwell's telescreens, watching us as much as we watch them.
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